Collection: Prints

Our prints are made using state of the art, museum-grade processes and materials. Each design is scanned, printed, and assembled by selected fine art printing experts, ensuring each print maintains the details of the original painting. All prints are made to order, and hand-signed / quality-inspected by Nick Bultman prior to shipment. Read what recent collectors are saying in the Reviews tab.

Each print design comes in small, large, and even full-sized options. Since each original painting has a unique length / width aspect ratio, the prints themselves range from as small as 16x20in. (41x51cm.) to as large as 36x45in. (91x114cm.). You can toggle between each print's size options to see their associated cost. Note that no print size will exceed the size of the original painting dimensions.

We offer three material options: fine art paper, canvas (mounted), and metal Chromaluxe panel. Fine art paper prints are made of 300gsm Pura Velvet 100% photorag matte cotton. Canvas prints are made with a matte, 360gsm poly-cotton blend, gallery wrapped and mounted around sturdy, 1.5" x 1.5" strainer bars and hand-varnished for color longevity and scuff protection. The canvases come gallery wrapped, back stapled, and ready to hang with included hanging wire. Paper and canvas inks are ultra-pigmented, archival giclee inks, intended to last over 100 years. The Metal prints are made with ChromaLuxe dye-sublimation inks on aluminum, secured to a museum mount hardware and french cleat system, ready to hang. You can toggle each size/material option to see their associated cost.

All prints are safely and efficiently hand-packaged from our print studio, here in Arizona, USA. Fine art paper prints include a surface protective layer of glassine paper, rolled together within a sturdy, cylindrical tube. Mounted canvas prints and metal prints are also glassine surface protected, front and backside cardboard protected, bubble wrapped / foam cornered and snugly placed into a form-fitted box. All prints are inspected and signed by Nick Bultman prior to shipment.

Yes. Paper and canvas prints are hand-signed and numbered by Nick Bultman and come with an accompanying hand-signed and numbered certificate of authenticity (COA). Nick's signature will be on the back side of the print, unless you request a white border (matting) which will come signed/numbered on the front side. You can request a front signature by 1) adding print to cart 2) view my cart 3) type your request, or by sending an email to studio@nickbultmanart.com. Please note that metal prints are not hand-signed, but rather contain Nick's scanned signature and edition number digitally embedded on the front corner(s) of the print.

All printed copies, including fine art paper and mounted canvas variants, will only ever be printed a select number of times (ex. 10, 25, 35, 50, 100), guaranteeing exclusivity for collectors. When all editions have been collected, they will never be printed again. These limited-edition prints are authentic, verifiable, can only be originally purchased from www.nickbultmanart.com. If you are questioning the validity of a true, limited-edition artist-provided Nick Bultman print, please reach out studio@nickbultmanart.com for provenance verification.

No, but it's an option. All prints will be printed to the edge, unless a white border, called "matting" is requested. There is no up-charge for adding a white border. Note that the overall length and width of the print does not change when adding a white border. Instead, the printed area is shrunk down to accommodate the additional matting. For example, an 18x24in. print with matting is the same size as an 18x24in. print without matting. To request matting, first add item to cart. Then, type in the text box that you would like to request a white border and/or front signature.

We do not offer frame options for fine art paper prints but you can purchase your own frames on websites such as www.custompictureframes.com or by sourcing from an art framing business in your local area. However, we do offer mounted canvases, which will will arrive to you already stretched and hand-stapled around the wooden bars. If you would like to request a canvas by itself, without the wooden bars in order to save on international shipping costs, this is an option that can be requested by emailing studio@nickbultmanart.com. If customers would like to purchase a frame for their canvas such as a floating canvas frame, we do not provide these.

Prints can be shipped internationally to over 40 countries. You can enter your shipping details at checkout to see international shipping cost. Please note that, at this time, all international shipments are sent DDU (delivery duties unpaid), meaning you may be responsible for additional import duties, taxes, and customs fees that will be collected prior to delivery. These amounts are specific to your country's import laws and usually amount to $20-$80 USD depending on size/value.

Refunds (and/or replacements) are given if the print is damaged in shipment and/or not received in condition as advertised. You have 14 days after the print is delivered to request a refund/replacement. To request, please email studio@nickbultmanart.com with your order number and pictures of the defect. For full details on how to request, and additional terms, see the Refund Policy

No, the print is not available as a digital download. The high-resolution files used to print from are proprietary and will remain in the exclusive possession of Nick Bultman and team.

Yes, special requests can be made by adding a note with your order or sending an email to studio@nickbultmanart.com with your order number and request. Examples of special requests include "Can you hold onto my print for a few weeks, prior to shipping?" or "Can you sign the front left corner instead of the back?" or "This is for a friend, who is a fan of your work. Can you please include a note from the artist?".

Since both of our paper and canvas prints utilize archival pigment inks, they are more resistant to fading and deterioration than standard dye-based inks. While these pigment-based inks are preferred because they can last for 100 years or more, all prints are prone to aging and normal wear and tear over time. Therefor, it's recommended to always handle the print with care by holding it at the edges and avoid touching the printed surface directly, adding a frame it with archival materials and UV-protective glass, displaying the artwork in a cool, dry, dark place, and regularly dusting the frame with a soft, lint-free cloth, never using harsh chemicals or water directly on the print itself.